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Taste the Music of the Night with Drama Club’s “Phantom of the Opera”
May 1, 2012
One of the best-known and most-beloved musicals of our time,
Andrew Lloyd Webber's The Phantom of the Opera tells the haunting
story of the deformed and outcast Phantom, who lives within the
bowels of the Paris Opera. Shunned by the world because of his
appearance, the Phantom lives a secluded life in the opera house,
where his occasional appearances frighten its occupants.
The Phantom of the
Rose-Hulman Drama Club Musical
May 2-6 at 7:30 p.m.
Matinee on May 6 at 2:30 p.m.
Hatfield Hall Theater
Rose-Hulman Institute of Technology
5500 Wabash Ave., Terre Haute, IN
Tickets are $18 for adults and $13 for students/youth.
Due to the intense
nature of several scenes, the show may not be appropriate
Advance tickets may be purchased by calling the Hatfield
Hall ticket desk
at (812) 877-8544, weekdays from 10 a.m. to 5 p.m.
Saturday from noon to 5 p.m.
The orphaned chorus girl, Christine, becomes the object of the
Phantom's affection, and the musically-gifted recluse begins to
appear to her, training her to sing. The naïve Christine believes
him to be the "angel of music" of which her late father had
Kendra Moore, a junior chemical engineering major from Seattle,
plays the role of Christine in the Rose-Hulman Drama Club's
adaptation of the classic musical.
"Christine is a hard character to understand because on the
surface she seems kind of shallow. It took me a little while to get
into her. She's 16 and she lost her father, and in some ways
she's really mature, while in some ways she's quite naïve," added
As a vocalist, Moore appreciates the opportunity to tackle a
musical with a rigorous score.
"It's really nice to have challenging music. In a lot of
musicals the music is campy and not very challenging," she
Moore and the other dancers in the production also studied
ballet with the Academy of Dance's Patti Willey, "just to make it
believable that we're all ballerinas."
Playing Moore's "angel of music" is Jordan Gameon, a senior
electrical engineering student from Huntingburg, Ind. He pities his
character, the Phantom, who goes into a jealous rage when Christine
reunites with a childhood sweetheart.
"This guy is deformed from birth and nobody has ever been nice
to him," Gameon observed. "He hears a young Christine's voice and
he pursues it" falling in love with the young singer in the
"Deep down she knows she's in love with him through their
music," Gameon added, but Christine cannot get past the Phantom's
David Eddy, a junior biomedical engineering major from Amherst,
Mass., plays Christine's childhood sweetheart, Raoul.
Eddy, in his first Rose-Hulman performance, is a long-time fan
of The Phantom of the Opera.
"There are three shows I want to do before I die: Phantom of the
Opera, West Side Story and Don Quixote/Man of La Mancha. I
thought I can knock one off my bucket list if I get a part," he
Eddy described his character as a romantic, but not terribly
bright, would-be rescuer who "tries, to no avail, to save his
Bunny Nash, Rose-Hulman's director of student performing groups,
explained that the college is privileged to have the opportunity to
perform the classic musical, which is celebrating its 25th
anniversary this year.
"There are very few schools in the Midwest that have been
granted the rights to Phantom. Only high schools and colleges that
don't have a music or theater department are granted rights to
perform this show," she added.
Contract stipulations are very stringent, according to Nash, and
only students from the approved school may perform. "You can't
bring in any ringers from outside," she said.
The production has been challenging for everyone involved.
Nash states that the show is technically-speaking "the biggest
thing we've ever done," with set and prop design beginning last
Special effects are where the engineering college has an
advantage over other schools when it comes to staging the elaborate
musical. Student technicians have helped design and build elaborate
props, such as a robotic boat. Pyrotechnics, a falling chandelier,
and trap doors add to the authenticity of the performance.
"A lot of people have seen Phantom of the Opera but we're doing
some things to make it our own," Nash enthused. "I think folks will